Edmund Eysler. 53 Steiner, along with contemporaries Erich Wolfgang Korngold and Alfred Newman set the style and forms of film music of the time period and for film scores to come. 2 :30 The theme is not heard consistently throughout the film and serves rather as a framework for the other melodic motifs heard throughout different parts of the film. In addition, the reasons he mentioned this name are unknown. 2 The Big Sleep (1946 The music of this film "darkens to match" the changing atmosphere of the film.
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